dc.contributor.author | Arslan, Canan | |
dc.date.accessioned | 2021-12-21T08:31:39Z | |
dc.date.available | 2021-12-21T08:31:39Z | |
dc.date.issued | 2018 | |
dc.identifier.issn | 2148-3582 | |
dc.identifier.uri | https://app.trdizin.gov.tr/makale/TXpJd056UXpNdz09/dijital-yeniden-uretim-caginda-sanat-eseri-aura-kavraminin-dijital-sanat-baglaminda-yeniden-degerlendirilmesi | |
dc.identifier.uri | http://dspace.yeniyuzyil.edu.tr:8080/xmlui/handle/20.500.12629/818 | |
dc.description.abstract | Walter Benjamin’in birçok kuramsal çalışmaya esin kaynağı olan “Tekniğin OlanaklarıylaYeniden Üretilebildiği Çağda Sanat Eseri” (1936) isimli makalesinden günümüze, sanateserinin “aura”sı ya da “hale”si tartışma konusu olmayı sürdürmektedir. Benjamin, san | |
dc.description.abstract | Since Walter Benjamin wrote his renowned essay “The Work of Art In The Age Of
Mechanical Reproduction” in 1936, the aura of an artwork has always beean an issue of
debate. Benjamin describes “aura” as an “art work’s unique existence at the place is happen | |
dc.language.iso | Turkish | |
dc.title | DİJİTAL YENİDEN ÜRETİM ÇAĞINDA SANAT ESERİ: “AURA” KAVRAMININ DİJİTAL SANAT BAĞLAMINDA YENİDEN DEĞERLENDİRİLMESİ | |
dc.title.alternative | ART IN THE AGE OF DIGITAL REPRODUCTION: RECONSIDERING THE CONCEPT OF “AURA” IN DIGITAL ARTS | |
dc.relation.journal | Art-Sanat Dergisi | |
dc.identifier.issue | 9 | |
dc.identifier.startpage | 405 | |
dc.identifier.endpage | 413 | |
dc.identifier.volume | 5 | |
dc.relation.issue | 9 | |
dc.relation.volume | 5 | |