dc.contributor.author | Cesur, Alim Alper | |
dc.date.accessioned | 2021-12-21T08:45:34Z | |
dc.date.available | 2021-12-21T08:45:34Z | |
dc.date.issued | 2019 | |
dc.identifier.issn | 2148-7219 | |
dc.identifier.issn | 2458-9209 | |
dc.identifier.uri | https://doi.org/10.24955/ilef.654018 | |
dc.identifier.uri | http://dspace.yeniyuzyil.edu.tr:8080/xmlui/handle/20.500.12629/1640 | |
dc.description.abstract | Trolls, as the disruptive actors of social media, are mentioned most often by making others laugh or angry.In parallel with social media being a part of our life, the concepts such as troll and trolling gain places in colloquial language. Therefore, the c | |
dc.language.iso | Turkish | |
dc.publisher | Ankara Unıv, Fac Communıcatıon | |
dc.rights | gold | |
dc.title | Actual Purpose of Examination of the Trolls as Actors of Digital Carnival | |
dc.type | Article | |
dc.relation.journal | Ilef Dergısı | |
dc.identifier.issue | 2 | |
dc.identifier.startpage | 275 | |
dc.identifier.endpage | 306 | |
dc.identifier.volume | 6 | |
dc.identifier.doi | 10.24955/ilef.654018 | |
dc.relation.issue | 2 | |
dc.relation.volume | 6 | |